PLAY “ASHUG SAID”. TO THE GENRE FOUNDATIONS OF LEZGI DRAMATIC CREATIVITY OF THE 1950-1960S

Abstract

The article examines the value foundations of the play “Ashug Said”. The artistic features of the organization of the genre composition of the work of Tagir Khryugsky and Kiyas Medzhidov are determined. It is noted that Lezgin dramaturgy in the 1950s – 1960s embarked on the path of active development, coupled with the processes of formation of spiritual symbols of its artistic and aesthetic world. Being an integral part of the ethnonational cultural heritage, it is included in the intense rhythms of the sociocultural transformations of the era, which determined the forms and principles of the artistic reflection of reality. In this regard, the play “Ashug Said” is of interest, which, staged for the first time on the stage of the national theater in 1957, played an important role in the formation of the value-semantic dominants of the Lezgin dramatic art of the post-war years.