FLORISTIC DETAILS IN “THE HUNTER’S NOTES” BY I.S. TURGENEV AND S.T. AKSAKOV

Abstract

“The Hunter’s Notes” of the two great contemporaries affected the general interest for their authors in the natural spaces of Russia and, above all, in its flora: Turgenev and Aksakov turn to the same plant objects that fall into the focus of attention of hunters. However, when comparing the homeomorphic facts of reality recreated by Turgenev and Aksakov, it turns out that in the creative development of the world, writers appear as authors who have manifested themselves in different verbal discourses. The individual-author specificity of their work is found in the various functional use of the part and the organization of its semantic structure. If Turgenev subordinates the image of trees, shrubs, herbs, etc. setting questions of life and death as a psychological development of characters, then for Aksakov it is important otherwise – he is focused on the actual botanical and hunting significance of the described realities.