THE TYPE OF “SUPERFLUOUS PERSON” IN RUSSIAN LITERATURE IN THE CONTEXT OF THE “NEW AGE” IN THE CONTEXT OF THE POETICS OF TURGENEV’S NOVELS

Abstract

The article considers the heritage of Russian literature of the XIX century in the range of processes of modern global history and culture. The leading methods in the study of this problem are comparative-historical, textual, cultural, which allow to comprehensively consider the development of the theme of the “superfluous” person in the works of I.S. Turgenev. The article reveals features of the artistic method, direction, genre as the immediate reality of the creative thinking of Russian classics. Russian classical novel In the process of considering the aesthetics of Turgenev’s classic novel, the artistic nature of the writer’s literary work in its continuity and new ascending phases of development (the Russian novel is a test and a new type of “superfluous man”, an invariant form of the Russian classical novel) was investigated, which led the Russian literature of the XIX century to the highest artistic embodiment – the socio-philosophical novel and the most Its significant phase is a socially universal novel.