No. 6 (109), 2024 · 456–458 · DOI: 10.24412/1991-5497-2024-6109-456-458
THE MOTIF OF THE NATIVE LAND IN THE WORKS OF TUFAN MINNULLIN
Abstract
The article explores the motif of the homeland in the works of Tatar playwright Tufan Minnullin, which serves as a key element in his plays and as a means of revealing the national worldview. The motif of the homeland not only reflects the theme of preserving the people’s identity but also serves to uncover the psychology of the characters, highlighting their deep connection to their ancestral roots. The homeland is portrayed as a source of spiritual and physical well-being, an inner pillar that helps the characters find their way and stay true to their values. Special attention is given to the use of artistic devices – metaphors, symbols, antitheses, and literary details – to provide a deeper understanding of this motif. The article also emphasizes that Minnullin’s works offer rich material for analyzing national culture through the lens of literature. In conclusion, the article suggests prospects for further research, including comparative studies with other authors on the theme of the homeland.
Keywords: Tatar drama, T. Minnullin, native land, motive, theme, problem, image
Full text in Russian.
How to cite
Zaydullin B.R. THE MOTIF OF THE NATIVE LAND IN THE WORKS OF TUFAN MINNULLIN. The World of Science, Culture and Education. 2024. No. 6 (109). 456–458. DOI: 10.24412/1991-5497-2024-6109-456-458