THE ROLE OF FOLKLORE HERITAGE IN THE EVOLUTION OF ARTISTIC THOUGHT IN THE POEM “KHO CHURT” (“THREE TOMBSTONES”) BY SALMAN OZIEV

Abstract

In this article, the author analyzes Salman Oziev’s poem “Kho Churt”, dedicated to the Ingush people, their traditions and customs. Images of legendary Ingush heroes occupy a special place in the poem, the author of the article notes, describing their spiritual world, how the poet touches on vital problems of the reality of that time. The motives of oral folk art can be found in almost all the works of Salman Oziev. One of such vivid works, which tells about the spiritual values, the way of life of the highlanders, is the poem. The storyline intersects with an ancient folk legend. Until now, three obelisks have been preserved in the foothill village of Galashki, which, as they say in folk legend and described in Salman Oziev’s poem, were erected in honor of two young men and one girl. In the poem, the folklore heritage of folklore plays a significant role in the evolution of artistic thought. The expansion of the thematic range associated with the reflection of changes in the life of the people leads the poet to new and new artistic searches. The poetic cut gives the work freshness, precision of the lines. The abundance of visual and expressive means peculiar to folklore also makes the poem “folk”, and thanks to the poetic language, it is very easy to read.