FORMS OF STROPHIC COMPOSITION IN POETRY OF ETIM EMIN

Abstract

The article examines features of strophic composition in poetic texts of Etim Emin, a classic of Dagestan poetry, founder of Lezgian written literature, who laid foundations of Lezgian versification, not only introduced oriental flavor into the national literature, but also created new forms and poetic dimensions. The researcher examines such forms of strophic compositions as goshma, geraily, gazelle, muhammas, which are most often used by the author, determines the similarity and difference of the studied forms of strophic compositions, the choice of one form or another depending on the theme and the poet’s idea. Based on the analysis of a number of poems designed in the strophic composition of Goshma, the researcher notes that external factors are followed by linguistic ones that ensure the semantic content of the stanza. Continuing the primordial traditions of oriental poetry, E. Emin creates his own original samples of stanzas, unknown to him.