THE IMAGE OF THE MOTHERLAND IN THE LEZGIAN WOMEN’S POETRY OF THE 1990S

Abstract

The article examines civic motifs in Lezgi women’s poetry of the 1990s. Based on the analysis of poetic texts, the structural foundations of the figurative structure of the concept of “motherland” are revealed. It is noted that the concept of “homeland”, as an objective spiritual value, has a number of structural moments, each of which, being included in the vital pulsation of the female poetic consciousness, is intertwined with its spiritual forces. Separate spiritual formations are then formed, the concentrated basis of which is appropriated by the name “I”. The spiritual life manifested in the name “I” moves into the space of strophic compositions, as a result of which, already as a lyrical beginning, it charges the idea of the homeland with emotionally rich sensual energy. Based on this, the article pays special attention to the forms of organization of the pole “I”, which represents the characteristics of the female soul.