TATAR POEMS OF THE 1960S-1980S IN THE ASPECT OF POETIC POLYPHONY (ON THE EXAMPLE OF POEMS ABOUT HISTORICAL FIGURES)

Abstract

The article is dedicated to the study of poetic polyphony in Tatar poems of the 1960s-1980s. Based on the material of lyric-epic works dedicated to historical personalities of the Tatar people, the peculiarities of coexistence in the structure of the poetic text of different “I”, subject spheres – the voices of the author and heroes are revealed. As a result of the analysis of a number of poems, it is proved that poetic polyphony allows poets to consider the same phenomenon from different points of view, to build a dialogue with the reader. The reader must “unravel” the hidden meanings inherent in the polyphonic lyrical monologue. Often, the flow of many consciousnesses within the framework of one work is formed in the form of philosophical reflections on the fate of the nation, its past, present and future. Such searches expand the genre boundaries of the Tatar poem, turn them into a synthesis of national, philosophical, humanistic, socio-political, and other conclusions of the poets.