GENESIS OF PUBLICISM IN THE CONTEXT OF LITERARY AND SOCIAL RELATIONS OF THE RENAISSANCE (THE WAY OF KNOWING MARIN DRŽIĆ AND CONTEMPORARIES)

Abstract

The article analyzes the genesis of publicism in the context of literary and social relations of the Renaissance on the example of the work of Marin Držić. With the help of bibliographic-descriptive, comparative-analytical, problem-thematic and cultural-historical methods, the base of previous studies is elaborated and a complete picture of the source base of the research is obtained, the relations between publicists and society of the Renaissance are analyzed, the key ideas and concepts of Marin Držić’s publicism are highlighted, the main ideological and conceptual principles of publicism of this period are formulated. It is concluded that in conditions of the Renaissance world there was a further development of all forms of Western European art, including the genesis of publicism in its relatively complete forms, the methodology of its text creation, techniques and methods of cognition of man and the surrounding society. This system is adapted not only to fiction, but also to documentary forms of literature. Thus, there was a further development of all forms of Western European art.