THE QURANIC MOTIVES IN CONTEMPORARY TATAR DRAMA DATA ABOUT THE AUTHORS

Abstract

The article studies the reflection of the Quranic motives in the contemporary Tatar drama. Turning to the study of the plays by T. Minnulin, Z. Khakim, G. Kayumov, R. Zaidulla and others, the author identifies directions of search in drama, defines the variety of themes and motives, and reveals the richness of applied artistic techniques and art tools. The analysis of the texts helps to reveal the characters’ attitude to religion, the circulation nature of the Quranic motives and their connection with the main idea of the work. By synthesizing genres, relying on images, symbols, artistic details, the playwrights achieve an assessment of the actions and deeds of the characters, and on this basis they come to the disclosure of the main idea of the play. All of the above lets the researchers talk about the authors’ ideological and aesthetic search and the possibility to define ways of developing drama in the future.