THE METHOD OF OVERCOMING THE STAGE EXCITEMENT OF MUSICIANS IN THE ASPECT OF PSYCHOACOUSTICS

Abstract

The article examines a problem of stage excitement in the aspect of its physiological and psychological manifestations. Errors in musical intonation, metrorhythmic embodiment of music, in sound production and timbre transmission of sound are considered in the light of psychoacoustic knowledge, which together helps to comprehensively see the manifestations of stage excitement. As the main reason causing this condition, the negative mindset of the musician’s self-centered personality is highlighted. A method of overcoming stage excitement, borrowed from the system of K.S. Stanislavsky and adapted for performing musicians, is also proposed. In general, the study actualizes the need to introduce psychological knowledge and methods into the process of musicians’ education that contribute to the education of a common stage culture.