FOLKLORE-ETHNOGRAPHIC COMPONENT IN THE STORY “NANACHE” (HOMELAND) OF IBRAGIM DAKHKILGOV

Abstract

. The article is devoted to the important literary problem of the relationship between literature and folklore as two independent art systems, considered on the basis of I.A. Dakhkilgov’s story “Nanache”. Particular attention is paid to the folklore-ethnographic component of the artistic discourse, since, in general, like the writer’s prosaic legacy, it is based on the oral and poetic experience of the people, which is not surprising, since more than half a century of experience collecting, systematizing folklore the heritage of the Ingush, rich in epistemological and didactic plans, had a tremendous impact on the artistic consciousness of the writer. It is noted that the story “Nanache” is distinguished by a breadth of ideological, aesthetic and thematic range, and a wealth of problems. The result of the study is the definition of the folklore-ethnographic component in the story “Nanache” as a symbolic feature of the epic work, influencing the formation of not only the national-cultural context, but also the reconstruction of the objective historical background.