CLASSIFICATION OF LULLABY SONGS BASED ON THE EVOLUTION OF THIS GENRE

Abstract

The article is devoted to the study of texts as phenomena of a special song lyric genre based on the axiological concept of an interdependent, interacting world. The author believes that a lullaby as an object of philological study is a rich and diverse textual material and indicates that the creation of lullabies is ongoing. The article presents the author’s classification of lullabies based on the evolution of the genre. The classification includes modern folklore lullabies, among which are analyzed the works of screen and electronic network cultural studies. The work concludes that the invariant traditional meaning, expressed in verbal forms and frames of the hummingbirds, has undeniable value and, as a result of their repeated reproduction, penetrates deeply into culture.