U-SEMANTICS OF THE RUSSIAN LANGUAGE IN THE FOCUS OF SCRAMBLING

Abstract

The article examines the problems of U-semantics of the Russian language on the material of the work of F. M. Dostoevsky “Crime and Punishment”. The text of the Russian literary culture is considered as a reflection of the discursive processes that characterize the Russian communicative and mental culture of the XIX century. Russian society recognizes the word order as an element of discursivization of semantic processes in society, which demonstrates both the semantic dominants relevant to the communicative process and the sequence of information representation of the event in accordance with the axiological significance of the communication actants grouped in the situation models representing the linguistic state of Russian culture of the XIX century and the St. Petersburg text of Russian culture in the perception of F. M. Dostoevsky. It is proposed to track the semantic elements that are discursively significant for dialogic interaction in the XIX century through the observation of F.M. Dostoevsky’s scrambling. At the same time scrambling is understood as changing (moving) the lexical and semantic positions of semantically dominant nouns of the novel by F.M. Dostoevsky “Crime and Punishment”, the formation of a set of formalized statements containing semantically dominant nouns in a coherent mental text of the Russian society of the XIX century.