MODERN PROBLEMS OF SOLO AND ORCHESTRAL WIND PERFORMANCE ART

Abstract

The article deals with current problems of Russian performance on orchestral wind instruments. Among the aspects that hinder the development of national wind performance, the problems that were relevant in the Soviet and even pre-revolutionary periods of the existence of the domestic wind school are highlighted. These include the lack of continuity between different stages of training (school, college, university) and the discrepancy between the content of educational programs and the realities of the future professional activities of graduates. Along with the old, but not lost its relevance, a complex of problems of recent history is revealed – the lack of adaptation of the domestic system of training professional performers on wind instruments to the transition to the Bologna system, as well as the lack of research aimed at a systematic, step-bystep and effective transition of domestic education of wind players to a competence-oriented paradigm. The result of a combination of old and new problems has been a rapid stagnation in the domestic brass performance – both solo and orchestral, and our significant lag behind the leading brass schools in the world.