ARTISTIC PARADIGM OF CONTEMPORARY CHECHEN WOMEN’S PROSE

Abstract

The material of the article deals with identifying features of the artistic paradigm of modern Chechen women’s prose. In it, in general strokes, the fact of the active formation of a number of authors – women who occupy a worthy place in the modern Chechen national literary process – is noted. The realization that the artistic material created by contemporary Chechen writers is fundamental in all respects, capable of largely determining the prospects for the further development of the national literature of the Chechens, becomes the key conclusion in the article. The theoretical significance of the article is determined by its contribution to the theory of Chechen and North Caucasian literature as a whole. The results of the study can be used in development of problems and questions related to the study of gender structure in the literature. The practical significance of the study lies in the fact that the materials can be used in teaching courses on Chechen literature and the literature of the peoples of the North Caucasus.