ARTISTIC FEATURES OF A PARABLE DRAMA IN TATAR DRAMATIC ART

Abstract

The article focuses on a parable drama, which represents an intergenre synthesis within contemporary Tatar drama. The study analyzes works by T. Minnullin, M. Gilyazov, and others, which allow to identify the specifics of artistic reflection in the context of post-Soviet sociocultural transformations. The relevance of this work stems from the increasing attention paid by contemporary literary studies to hybrid genre forms. The objective of the study is to identify the specific characteristics of parable drama in the context of intergenre experiments. The scientific novelty lies in examining the genre through the prism of the author’s genre formation. The analysis reveals the potential of parable poetics for the artistic expression of ethnic and universal spiritual experience.