ON THE ISSUE OF THE IDEOLOGICAL AND FIGURATIVE CONTENT OF AN ARTISTIC WORK AND ITS AESTHETIC FUNCTION

Abstract

The article discusses issues related to the ideological and figurative content of an artistic work and its aesthetic function. The main feature of the concept of versatility is the aesthetic function of the language of an artistic work. His detailed research leads to an understanding of the nature of the language of a work of art as an art phenomenon. It opens up approaches to solving the problem of analyzing the language of a work of art in its relation to the ideological and figurative content. One of the main tasks of poetic speech is to reveal all the functional and creative conditions that give a linguistic phenomenon the qualities of poetry. And the most important of these conditions is the relation of linguistic units to the ideological and figurative content. The function of the language of a work of art is characterized by its relation to that special content peculiar only to works of literary art, which determines the specific properties of artistic speech. Whatever is depicted in a work of verbal art – nature, landscapes, phenomena – the linguistic units with which this description is carried out correlate with the image of the author or the hero of the work. They express his attitude to the surrounding reality. Thus, the aesthetic function of the language of a work of art is associated with the actualization of linguistic units to create a subject – an author or a character. This also means that a linguistic unit has not only a substantive meaning, but also contains information about the subject itself. Any linguistic unit appearing in a work of fiction, including tropes, is figurative, since personality is revealed in their use.