THE IMAGE OF A WOMAN IN LULA KUNI’S STORY “OUTLINES”

Abstract

The objective of the article is to study the story “Outlines” by the Chechen writer Lula Kuni, who writes her works in Russian and Chechen languages through the prism of artistic bilingualism, to determine the genre and style originality of the story, created by her in Russian. The scientific novelty of the article lies in the understanding of how the nationally colored individual style of Lula Kuni is created; in determining the role of the components of the figurative system of the Russian language in the formation of the national language in the context of “Outlines”, connected with psychology, everyday life, culture, traditions of the native people. As a result of the study, the following conclusions are drawn: the identity of the Chechen writer is transcultural and artistic bilingualism contributes to the preservation of the originality of the national culture and its entry into intercultural dialogue. Lula Kuni’s Russian language does not destroy the idea of her as a pronounced national writer, but only adds originality to her creative individuality.