FAR EASTERN POETS OF THE SILVER AGE

Abstract

The article continues a series of copyright works. They deal with the problems of studying the development of Russian modernist poetry in the Russian Far East and the study of historical and literary pages of Russian emigration in China. In the presented work, this is done on the example of the work of S.Ya. Alymova – his path of literary creative life at the very beginning of the 1920s took place in Vladivostok and Harbin. Several collections of poems were released in Harbin, including the “Tenderness Kiosk”. The texts by S.Ya. Alymov lately discovered in the funds of the Russian State Historical Archive of the Far East and the State Archive of Primorsky Territory are introduced to the academic community for the first time. As a result of the study, the researchers come to the conclusion that discovered and analyzed works of the author (including little-known and introduced into scientific circulation) are created within the framework of the problem of the relationship of tradition and innovation. The artistic concept testifies to Alymov’s unconditional understanding of the aesthetics and philosophy of the Silver Age: eclectic dependence on various practices of Russian poets of the first quarter of the twentieth century. The article emphasizes the futuristic influence on the poetry of S.Ya. Alymov of the Far Eastern period.