“THE SONG OF LINOS” FOR FLUTE AND PIANO BY A. JOLIVET: ON THE PROBLEM OF PERFORMING INTERPRETATION (METHODS AND TECHNIQUES OF WORKING ON A MUSICAL COMPOSITION)

Abstract

The modern original concert repertoire for the flute is extremely diverse. In order to fully work with even a small part of it, a flutist in the course of his professional training needs to master a huge complex of expressive means on his instrument, to know and understand the specifics of many styles. Therefore, the methodological support of the flutist’s educational process should be constantly improved. Quite often, a flutist who is just learning the art of playing an instrument does not have sufficient experience in performing interpretation of such music, cannot recognize the components of the style of the work. This makes it impossible for them to comprehend its artistic content, and, as a result, makes its performing interpretation difficult. The emergence of such difficulties among students can still be found in relation to iconic works in the modern repertoire.